Tsuyoshi
Shinjo is a curious blend of modesty and
flair -- a Japanese baseball player with
his own Web site, who wears flashy clothing
and prefers the color red, including his
thick shock of hair. He also prefers to
be called by one name, Shinjo, as if he
were a Brazilian soccer star (Ronaldo)
or an American pop idol (Madonna).
In
the past, Japanese players did not market themselves
so blatantly. Rather, they spent much of their
career living in barracks, practicing incessantly,
bowing deeply to their teachers, and remaining
the chattels of their Japanese teams as long
as they were useful.
But now, like so many other industries and
traditions around the world, Japanese baseball
is being affected by American money.
In late October, Shinjo made a piece of baseball
history, becoming the first Japanese player
to appear in the American championships, grandiosely
titled the World Series.
One hundred years old, the World Series is
becoming more worldly, with the games televised
to 224 countries in over a dozen languages.
As a columnist covering the recent World Series
in California, I could practice my few words
of Japanese on my bilingual Japanese colleagues
(they would smile and congratulate my efforts)
and I could practice my mediocre Spanish on
my Latin colleagues (they would play along
with me, very graciously).
Unless you happened to know that this pitcher
escaped from Cuba or that pitcher was from
Venezuela, you might not feel you were at an
international event. However, Shinjo's appearance
in the World Series was front-page news back
home. He was surrounded by over 40 Japanese
journalists and several camera crew after news
came out that he would start in the first game.
"I am honored, of course," he told
me through an interpreter the Giants provide
for him. "But I cannot say too much because
I did not play regularly for the Giants this
year. Next year I hope to help them more."
This was the modesty one might expect from
a salaryman in a large Japanese organization.
Shinjo knew enough to place himself as one
small member of the San Francisco team. But
with free agency available to them in their
late twenties, Japanese players are more assertive
than they used to be. If the money is right,
they will go to America, for the challenge.
The bat Shinjo used was promptly given to
the Baseball Hall of Fame in bucolic Cooperstown,
New York, where, allegedly, a soldier named
Abner Doubleday invented the sport in 1839.
Never mind that Jane Austen
was referring to "base-ball" before
Doubleday's dubious creation. The sport undoubtedly
traveled
from the British Isles -- quite apart from
cricket; a form of baseball is still played
in Wales and Merseyside, England -- to the
United States. It soon became popular in Latin
America through the incursions of American
military and business interests, and it moved
across the ocean to Japan and elsewhere.
Harry Wu, the Chinese-American activist against
Chinese labor camps, grew up playing baseball
in Shanghai, a legacy of the American colony
there. In northeast China, baseball is a legacy
of the Japanese occupation in the Thirties.
Baseball once was carried by steamboat but
now it is carried by satellite television and
the internet. The links that sent Shinjo from
being a pretty good Japanese player to a marginal
American player are powered by the great maw
of cable television, which emits 24 hours a
day of the world's most popular sport, football/soccer,
but always needs more games, more events.
This past World Series was won by the Anaheim
Angels, currently owned by the American multinational,
Disney, which is trying to sell the team. The
San Francisco Giants are owned by Peter Magowan,
who made his money in Safeway, the huge grocery
chain.
According to Major League Baseball, foreign-born
players now constitute 26 per cent of major-league
players. At the recent World Series, 11 of
the 50 players were foreign-born, coming from
Cuba, the Dominican Republic, Venezuela, Mexico,
and Japan, as well as Puerto Rico, the American
territory. The highest total of foreign players
in the World Series was 15, in 1995. By contrast,
the first half the century never saw more than
two foreign-born players in any single World
Series, and they were almost always children
of European immigrants who had taken up the
game in the U.S.
Nowadays, people arrive from Panama, South
Korea, Nicaragua, Australia and Curacao as
full-fledged professionals. Americans and other
players also serve apprenticeships in leagues
in Taiwan and elsewhere.
The first Japanese player to come to the U.S.
was Masanori Murakami, a left-handed pitcher
who was sent over to the U.S. for indoctrination
in American baseball methods. He played briefly
for the San Francisco Giants at the end of
1964 and all of 1965, but ultimately returned
to Japan and had a long career as pitcher and
broadcaster. He is very proud to have been
the advance man to the United States.
In 1995, the Los Angeles Dodgers signed Hideo
Nomo, who arrived with the impact of a rock
star. As Japanese players gained freedom from
outmoded lifetime contracts, they begin to
look to the U.S.
In the 2001 season, the Seattle Mariners,
operated by Nintendo money, bought Ichiro Suzuki,
an outfielder. He was such an immediate star
with his speed and bat skills and Zen-like
aura that Americans realized some Japanese
regular players could win games, fill stadiums,
sell the sponsors' goods -- and draw viewers
on cable networks in the U.S. and overseas.
There is no end in sight. The New York Yankees
have begun their own network, called YES, which
demands high payments from local cable operators
to show Yankee games. The Yankees have already
forged a tenuous relationship with Manchester
United, the great British soccer organization,
to ultimately show each other's games on television.
Do not, however, go to Yankee Stadium and
try to purchase a Manchester United jersey.
That would only invite the most sarcastic Bronx
cheer -- nyah, nyah, nyah. The whole deal is
about cable.
Now there are rumors of a link between the
Yankees and the Tokyo Giants, who are owned
by the huge newspaper chain Yomiuri Shimbun,
which is so massive an organization that it
has its own orchestra. The Giants are a national
institution, and recently won their 20th Japan
Series title, but even proud Yomiuri may be
affected by Yankee dollars and Yankee power.
Late in the season, the Yankees sent over
an assistant general manager, Jean Afterman,
presumably to inquire about the great outfielder,
Hideki Matsui, age twenty-eight. Known in Japan
as Godzilla, Matsui is large by Japanese standards,
at six feet, one inch tall, and weighing 209
pounds, and is known for mashing long home
runs in clutch situations.
Matsui has some leeway in his contract after
the 2002 season but few expected him to force
his freedom. Instead, the Tokyo Giants were
expected to engineer a lend-lease agreement
for two or more seasons, to allow Matsui to
play right field for the Yankees. In return
they might accept the Yankees' Raul Mondesi,
who was exposed in the recent American playoffs
as being slightly below the demanding levels
of the Yankees.
There is some concern that the Japanese leagues
would be struck a death blow once knowledgeable
Japanese fans saw their best players leaving
for the U.S. in return for second-rate American
products. However, Japan has suffered more
serious blows to its pride as the economy went
downhill in the past decade. Accepting a Mondesi
for a Matsui would be the least of it.
The good side is the national pride of seeing
Japanese players excel in the United States,
as some pitchers and Ichiro have already done.
"We got spoiled by Ichiro," said
Hideki Okuda, who has been living in Los Angeles
for 12 years to write for Yeah, a Japanese
sports magazine. "We cannot be too excited
by Shinjo's participation."
Every player becomes a cottage industry for
Japanese journalists. Shoko Mizutsugi came
to New York in 2001 as a free-lance writer
to cover Shinjo's debut with the Mets for Japan's
Daily Sports. When Shinjo was traded to the
Giants in 2002, in effect, Mizutsugi was traded,
too.
"It's all right, I have my apartment
in Japan so I don't have too many belongings
here," she said with a laugh.
She wrote the Shinjo saga almost every day,
getting one day off a week. When Shinjo played,
it was big news back home. When he did not
play, she still had to keep an eye on him.
"He's very friendly. He's an honest person," she
said, "but I want to go back to New York."
If Matsui comes to the Bronx, look for a rush
of Japanese journalists. They know they have
a market in baseball fans back home, where
the high-school tournament is as big as American
college basketball's Final Four.
Japanese fans are so worldly that they know
when to shift gears from Japanese to American-style
rooting. We noticed this in 2000, when the
New York Mets and Chicago Cubs opened their
regular season with two games in the Tokyo
Dome.
At the time, the Mets were managed by Bobby
Valentine, who had managed in Chiba one season,
and loves the country and speaks the language
quite well. Valentine was applauded warmly
- until he ordered a strategic walk with first
base open to Sammy Sosa, the popular Cub slugger.
The fans booed Valentine, something
they would never do to a manager in their
own league.
Because they travel to the U.S. and otherwise
follow American ways, the Japanese knew that
American fans would boo in that situation.
Because it was "American Night," so
to speak, they behaved as Americans. Valentine
loved the trans-cultural behavior.
This fall, Americans were sending over an
all-star squad from Major League baseball to
play seven games against Japanese all-stars
plus one game against the Tokyo Giants in the
Tokyo Dome. There was one huge difference from
past tours, however: this time the Major League
all-stars would include Tomo Ohka, the Japanese
pitcher with the Montreal Expos, and Ichiro
of Seattle.
In the past, George Steinbrenner, the heavy-handed
owner of the Yankees, had refused to let his
players join the Japanese tour because he did
not want them getting hurt in the off-season.
This year, Steinbrenner sent two of his best
players, Jason Giambi and Bernie Williams --
a clear sign of respect for Japanese baseball.
When George Steinbrenner begins to symbolically
bow at the waist to anybody or any institution,
you can be sure there is something in it for
him. In this case, it may have been a right
fielder. There is no turning back.
The strange thing is that baseball is in jeopardy
with the International Olympic Committee. The
new Eurocentric leadership may actually drop
men's baseball and women's softball as official
medal events to make room for golf and rugby
that appeal more to Europeans.
There is some animosity between the I.O.C.
and Major League Baseball because of the lack
of Olympic-style testing for steroids and other
performance-enhancing drugs in baseball. But
the I.O.C. seems to be ignoring baseball's
huge links between east and west, as personified
by new faces like Shinjo.
Will there ever be a true World Series between
east and west? Not in the short run, given
the long distances and long regular seasons.
However, there could be a soccer-style Baseball
World Cup, every four years, with countries
using only their own citizens. Fidel Castro
just might stick around long enough to see
Cuba play the U.S. in the World Cup. Unless
Japan beat one of them first.
(George Vecsey is a longtime sports columnist
for the New York Times, and a widely published
magazine writer. He is also the author of numerous
books.)
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