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ALEXANDRIA,
Egypt--What could the Land of Vikings
and the Land of Pharoes possibly have
in common?
The answer does not date back to ancient
history, but to around one 14 years ago,
when Norwegian architecture firm Snøhetta
won a Unesco-commissioned competition to
undertake the prestigious honor of designing
the Bibliotheca Alexandrina, resurrecting
one of the most important institutions
in Egyptian history. Kjetil Trædal
Thorsen, one of the three principal architects
who drafted the design of the Bibliotheca
Alexandrina, was just 31 years old (and
the oldest of his team), when he and his
colleagues won the competition in 1988.
Thorsen, along with fellow 20--something
Snøhetta partners, American Craig
Dykers and Austrian Christoph Kapeller,
dug into the depths of Egyptian history
to create a modern interpretation of
the famed library.
"We
did quite a bit of historical research," said
Thorsen, who still looks like he is in his 30's, more
than a decade on. "There are so many myths connected
to the Library of Alexandria and some varying opinions
about how things happened. We had to think about a
way to deal with the history and how to incorporate
that into the design."
To execute their
vision for Bibliotheca Alexandrina, the Snøhetta team enlisted the Egyptian
engineering consultancy firm Hamza Associates to
turn their five conceptual sketches into reality.
Dr. Mamdouh Hamza, Chairman of the planning, architecture
and engineering firm, was impressed by what he
called Snøhetta's "genius design".
However, he told the Earthtimes that securing the
contract to build Bibliotheca Alexandrina was a
challenge. "There was initial resistance to
select Hamza Associates, said Hamza, noting that
the Unesco-commissioned Egyptian project manager
was not familiar with their work and recommended
six other consultants instead. Hamza continued
that his firm was Snøhetta's first choice
and that the Norwegian architects did not like
the project manager's recommendations.
Carrying out the
architects' plans was relatively simple compared
to other projects, Hamza noted. "This
is one of the very few buildings in my 32 years
of experience in this field, which had minimal
design and specification changes," he said.
According to Thorsen,
the library's design had to effectively deal
with the present and future,
in addition to its ancient historical roots. Thorsen
and the Snøhetta team conveyed this synthesis
of past, present and future in a building that
combines a circular wall made of Aswan granite
adorned with an alphabetic inscriptions of almost
every language, an impressive aluminum and glass
tilted roof and a steel and glass footbridge that
extends towards the Mediterranean. The glass, granite
and steel that comprise of the primary materials
of the library's exterior convey a convincing harmony
between the ancient and the modern.
Thorsen said that
the representations of the past were done on
an associative level. Every facet
of the library complex carries a symbolic representation
of the library's history and it's future. "The
building itself is tilted around an axis, where
one part of the building is pushed down into the
ground and one is lifted out of the ground," Thorsen
explained. "By doing that you reveal the historical
layers that are buried in the ground." Hamza
executed some of the historical representations
in a concrete manner. Using Aswan granite for the
circular outer wall of the Library, Hamza explained
that his team replicated the ancient Egyptian practice
of splitting the granite slabs rather than cutting
them.
The physical creation
of Thorsen and Snøhetta's
conceptual historical layers rising from below
the ground was a practical necessity and a challenge,
according to Hamza. He explained that the Library's
seafront location, only 30 meters from the aggressive
Mediterranean sealine, required a construction
that would keep the library dry. Hamza Associates
dug a 160-meter diameter whole in the ground on
the site location and constructed the building
on external supports. The Library building begins
18 meters below street level, 12 of which are below
sea level.
The construction
of the Library's striking tilted roof was also
a challenge. Thorsen's intention
for the aluminum and glass roof was for the library
to open towards the sky and to allow sunlight to
be filtered into the Library indirectly, since
indirect sunlight is more reader-friendly than
direct sunrays "It is a very site specific
building when it comes to how it deals with its
direction toward the sea and how it works with
the light and space," Thorsen explained.
The roof remains
one of Hamza's structural challenges to this
day. "The roof is made from aluminum
sheets, the same ones used in airplane wings, since
it has to allow movement from expansion and contraction
from the sun's heat," said Hamza. The firm
is still working out how to successfully protect
the roof from the elements of heat and water.
Both Thorsen and
Hamza had to face the challenges of working within
the site, which already housed
a convention center on premises. A hospital is
located on the eastern side of the site, a convention
center to west, the Corniche to north and Alexandria
University's main campus to the south. Thorsen
and Snøhetta cleverly incorporated the existing
convention center into an integral part of the
Bibliotheca complex. "We created an entrance
plaza and a public square between the convention
center entrance and the main library entrance," Thorsen
explained. "You enter into the conference
center, on one hand-a center of debate and discussions;
and you enter into the library on the other side-a
center of knowledge. The two work together quite
well."
Having created
such a striking and socially relevant work of
architecture and engineering, Thorsen and
Hamza have realized that the Bibliotheca Alexandrina
may have a "Bilbao effect" on Alexandria.
Like Frank Gehry's art museum in Northern Spain,
the resurrection of Egypt's ancient Library as
a stunning new edifice is likely to draw a new
wave of tourism into Alexander the Great's fabled
city. Hamza said he has seen the effects already.
"The Bilbao effect is already happening," he
said excitedly. He explained that now people will
be drawn to the Library first and foremost and
the rest of the city, and all its ancient ruins,
will become side attractions. "This is a good
thing because Alexandria will be singled out as
a center of knowledge," he added.
Thorsen takes a
different view on social structures and the benefit
of a "Bilbao effect." He
explained: "After a period of time, the building
will lose its news interest. What is important
is important is the functionality of the institution,
not the quality of the building. It is how it [the
Library] defines itself in the next 10 to 15 years
that will have an overall effect on Alexandria." Thorsen
added that having Dr. Ismail Serageldin--formerly
of the World Bank--as the Bibliotheca Alexandrina
as the Librarian of the institution provides a
solid base for the future of the Library.
Responding to existential
questions about the future of libraries, Thorsen
once again emphasized
the fact that a library is an institution, not
just a building. Though Thorsen and his team began
work on the Library before the Internet boom, he
passionately defended the role of Libraries in
a high-tech world. "I think libraries are
just as necessary today as they were 10-15 years
ago," said Thorsen. "But their function
has changed. The library is not a building, it's
an institution--a working environment." Thorsen
believes that face-to-face knowledge exchange cannot
be replaced by high-speed Internet information
gathering. "Yes, technology has developed
extremely fast," Thorsen contended. "But
what hasn't developed fast is our capability of
adopting that knowledge."
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