Michael
J. Wolf, director and leader of the Global Media
and Entertainment Practice at McKinsey & Company,
is adviser to many of the world's top media moguls.
He is also the author of The Entertainment Economy.
Wolf sees his role as helping companies understand
how the forces at work today will impact them
tomorrow and what strategies will be most useful
to survive
and thrive in the changing media landscape. In
an exclusive interview with The Earth Times,
Wolf shared his insights on the trend of media
mergers,
the role of the consumer in shaping industry,
the future of new media technologies, intellectual
property issues, regulatory aspects and the challenges
facing the industry.
What
is behind the wave of major media company mergers?
Is it likely to continue, and will value be created
for shareholders?
Clearly, media and
entertainment companies
are searching for ways
to achieve scale and
drive growth. We see
leading companies like
AOL Time Warner, Bertelsmann,
Disney, Liberty, Sony,
Tribune, Viacom and
Vivendi Universal all
looking for ways in
which they can piece
together the puzzle
that will, once combined,
create profitable platforms
for the creation and
delivery of content.
The media industry
many of them family-held
last years. Many of
these once closely-held
companies are now becoming
parts of larger, global
enterprises. The rationale
behind these mergers
is the ability to leverage
the scale and scope
of larger media companies,
to build strong relationships
with consumers across
formats, cross-promote,
enter new markets,
create cross-media
deals with major advertisers
and cut costs. Most
of these media properties
are scarce assets theme
park, a daily newspaper,
or a movie studio.
So, each deal is a
unique opportunity.
And the prize for the
companies which ultimately
control the right sets
of assets will be tremendous
growth and shareholder
value.
What role do consumers
play in shaping this
emerging media landscape?
Do they have any say?
Absolutely. Ultimately,
it's the consumer who
gets to choose. Therefore,
even if we emerge with
a smaller group of
media and entertainment
companies, consumers
get to make discrete
choices, deciding what
television programs
they want to watch
and what songs they
want to listen to.
So the concentration
issue has more to do
with ownership than
with diversity of programs.
What is forever changed
is that we increasingly
have more and more
channels, more and
more outlets for consumers
to get information
in media and entertainment.
Consumers have become
used to getting to
tune to one channel
and watch shows about
cooking, turning to
another for golf and
a third for movies.
They want variety in
the magazines, radio
stations, Web sites
and newspapers. They
won't stand for a limited
number of options.
Inevitably, those options
will end up being owned
by fewer companies,
because the economics
just make it much more
viable for a small
number of companies
to be able to produce
and distribute this
content. However, that
doesn't mean less choice
for consumers. At the
end of the day, consumers
have free will and,
more importantly, remote
controls.
What are some of the
opportunities for creating
value through these
mergers?
Significant value
has been created by
media mergers, such
as the marriage of
content and distribution.
Bringing together strong
content and distribution
benefits both, as the
content finds more
avenues for exploitation,
and the distribution
channel itself is more
valuable and more in
demand. Value has also
been created through
cross promotion in
companies that bring
together different
businesses. For example,
the merger of Viacom
with Paramount, and
then later with CBS,
provided a whole set
of channels which can
drive across different
outlets. So, for example,
they can take a character
like Jimmy Neutron
that was created on
Nickelodeon, make it
into a hit Paramount
movie and then make
a new television series
back on Nick. That
would be difficult
to accomplish if the
company were just operating
one or two channels
without a film and
television production
business. Another opportunity
is the creation of
new businesses. The
companies need to insure
that they're not just
getting bigger, but
that they're also finding
new ways to use content
and assets to be entrepreneurial
and to create new outlets.
Technology will give
us the great platforms
to be able to make
these next steps happen.
What is the market
potential for some
of the new technologies
like interactive TV
and interactive PC?
Interactive television
is clearly going to
find a place in people's
lives. The real question
is how quickly the
technology to deliver
it will arrive, and
if it will be delivered
through a PC or television.
I believe that what
will end up emerging
is neither. It won't
quite be the Internet,
and it won't quite
be television. Look
for a fusion of the
two that creates the
kind of effortless
viewing that people
want to have.
Which technology do
you think is more likely
to succeed interactive
PC and why?
Among the reasons
we believe that interactive
television is likely
to succeed over any
interactive PC is the
technology, including
the ability of cable
television experience.
Second, are the habits
in people's lives.
Consumers are accustomed
to using the television
as an entertainment
device, and the PC
is still very much
about information.
The PC experience is
generally just one
person sitting in front
of a PC. It's not as
comfortable as people
and their families
and friends sitting
around watching television.
Will the new technologies
threaten the existing
TV and PC market?
One of the fascinating
things about new technology
is that each new technology
that has appeared threatening
ultimately created
new markets, exploitations
and new revenue streams
for media and entertainment
companies. If you rewind
the tape all the way
back to the invention
of the phonograph record,
there are very few
examples where the
technology has not
been additive. The
motion picture companies
were very suspicious
and upset about television.
Yet movie admissions
continue to rise over
the years. Of course,
both television and
the motion picture
industry were very
worried about videotape,
and yet home video
has been their saving
grace. Satellite television?
Cable television? They've
all created new services,
new opportunities for
people to experience
entertainment. Look
to new technologies
that are clearly on
their way. They, too,
will produce the same
positive results.
What are some of the
key elements that will
characterize this new
technology?
There are three things
that will characterize
technology. One is
convenience. The second
is true interactivity.
The third is the ability
to provide a shared
experience with other
consumers. While we
can download music
and we can stream video
on the Internet, nothing
is quite as good as
the experience that
we have by simply turning
on the television set.
Nothing is that easy,
nothing is that high
quality. The PC is
still a device that
many find mysterious.
There are a lot of
people who can't figure
out how to program
their video tape recorders,
much less use their
PC for a lot of complex
tasks. And it comes
back to that hallmark
of what will distinguish
and characterize those
new services that will
be successful: convenience.
Consumers will use
those devices that
they find easiest to
use. It will take a
long time for people
to change their habits,
and it will take more
time for the technology
to get to the point
where it's practical
for a large percentage
of the population.
Technology combined
with content is dramatically
altering the consumer
experience. And it's
looking better and
better for the consumer
How is the media landscape
evolving in the international
market?
We shouldn't expect
that the same sets
of players will be
in each market. There
are very strong local
media companies in
Latin America and Europe
and Asia, and many
have deep consumer
relationships, strong
local content and very
recognized consumer
brand names. So it's
likely that those companies
will either be successful
on their own, or by
partnering with either
European or US companies.
Will the media content
there differ vastly
from the US media content?
Most unexpected to
many ventures has been
the extent to which
local audiences truly
desire local content.
For example, if you
were to look 10 years
ago in Germany, you
would have seen that
most of the television
programs during prime
time were American
shows. Today, there
are very few American
television shows that
are prime time. People
in India, or China,
or in Italy want to
see stories, characters,
content, articles and
news that relate to
them. Therefore, this
will continue to be
about strong local
companies, maybe as
part of larger conglomerates,
but content that is
customized for them.
So you're saying that
there's no merit to
the argument that the
major media conglomerates
coming together are
going to be producing
a homogeneous global
product that will be
exported to international
markets?
I see little risk
of homogenization of
content within the
English and non English
speaking worlds. Consumers
want to see the best
of everywhere. At the
same time, consumers
within each country
want to see the best
of their own country
and the best of others.
The consumer doesn't
care who is producing
the movie or the magazine.
They want it to be
exciting, they want
stories they can relate
to and characters they
can believe in enjoy
reading or seeing.
They want it to have
an impact on their
lives. There is a trend
towards a much more
multi-global company,
the companies that
have strong content
in many parts of the
world, with a flow
of content that is
not in one direction.
That's more than just
a set of American content
world surprised to
see strong content
from countries transcending
borders. We've already
seen some of that with
a strong Chinese film
like Crouching Tiger,
or Italy's Life Is
Beautiful. A few years
ago these films would
not have captured the
imagination of so much
of the world.
Do you anticipate
the advertising revenue
to pump back in the
media industry by the
end of the year?
The media industry
is currently experiencing
an unprecedented advertising
recession, the worst
since the Great Depression.
But I'm convinced that
the industry has also
experienced a little
bit of the canary in
the coal mine syndrome.
The advertising spark
of the media industry
started flickering
way before the rest
of the economy turned
down. It's likely to
come back because advertisers
and marketers need
to be able to show
that they can grow
revenue. In the last
year, many companies
have cut costs. They
very quickly displace
lots of people in their
companies and cut back
on their spending.
But in order for the
economy to come back,
for them to regain
their share of the
pipeline, they're going
to need to show growth
in the top line. The
only way they can do
that is through their
marketing partnerships
with media companies,
through creating the
awareness and the desire
and the traffic that
comes through advertising.
The second half of
this year should be
robust for media companies,
as those advertisers
which retreated from
the market and reduced
their spending, recognize
that they need to come
back and have a very
strong finish to the
year. Already our clients
in the media business
are saying that they're
seeing a tremendous
amount of interest.
Across the board, with
magazines, television
or radio stations,
they're seeing a great
deal more desire on
the part of marketers
to work together to
solve their most critical
sales problems, so
that they can grow
their revenue.
Who will be the winners
and losers in the advertising
game and why?
Those
magazines, television
shows, television stations,
networks and radio
stations with the strongest
audiences< and the
audiences that are
clearly definable The
more marginal are going
to find that they're
going to have a harder
time, especially in
comparison to the previous
seven years that were
so strong for companies
in the media business.
When the advertisers
come back, they're
going to be much more
discerning. They're
going to stick to those
companies that can
offer them the best
proposition. To the
earlier point on scale,
it will be those companies
that are able to offer
a whole set of vehicles
through which to advertise
emerge as big winners.
Advertisers are looking
for overall relationships
with media companies,
rather than a relationship
limited to just one
property. Major companies
or Hearst across their
different properties.
And they're able to
offer the different
outlets, in the form
of a group of magazines,
or a combination of
television programming
vehicles, magazines,
newspapers and broadcast
networks. It's that
combination that advertisers
are looking for more
than one-stop shopping
can offer what will
truly be winners for
the next couple of
years.
What are the regulatory
aspects of going forward
in the media industry?
Are there any potential
hurdles to the media
mergers?
There are several
rules which have held
the industry back.
One was the cross-ownership
rule; another has been
the ability of a company
to own a cable system
and a broadcast station
in the same market;
a third has been the
ability of one company
to own a newspaper
and a television station
in the same market;
and another has been
the ownership cap one
company to own interests
more than a certain
limited size in the
United States. Finally,
there is the foreign
ownership rule, which
dictates that foreign
companies cannot own
a US television network.
I'm hopeful that all
the US rules will be
lifted over time, and
that some of the similar
rules that exist in
other countries will
be lifted as well,
because most of them
are anachronistic,
crafted during a time
when there were other
concerns. Today, the
concerns range from
national security to
control of the media.
Today's different options
for consumers that
a lot of those rules
no longer make sense.
I believe they need
to be lifted because
the benefits of joint
ownership of some of
these businesses or
foreign ownership far
outweigh any of the
risks.
How are the new services
and products going
to be paid for? What
will the pricing strategy
look like for the media
industry?
Consumers keep demonstrating
that they're willing
to pay more for entertainment,
choice and convenience.
What's fascinating
is that entertainment
is still financed more
than 60 percent through
advertising. But more
and more we're moving
to a world where people
are also paying for
the option of being
able to receive services.
Therefore, I think
we'll see more subscription-service
models develop. And
it can only go up.
We haven't seen anywhere
close to the high end
of what consumers will
pay, especially since
consumers are spending
more and more time
with media and leisure.
These two business
models will coexist
side by side, and there
will be others. A third
business model is people
paying not just for
subscriptions, but
also for individual
product. They pay for
music videos and books,
and they will pay for
good content that is
offered. Whether advertisers
subsidize entertainment,
or subscriptions are
offered, or even using
the pay-per-drink or
pay-per-view model,
there is plenty of
opportunity for added
revenues.
How will the issue
of intellectual property
rights affect the future
of the media industry?
The emergence of programs
like Napster and Gnutella
have already changed
the present and future.
The fact that the sales
of blank CDs have now
overtaken the sale
of pre-recorded media
is of great concern
to everybody in the
media and entertainment
industry. Ultimately,
what these companies
own is intellectual
property. A combination
of technology and government,
as well as the cooperative
efforts of the different
companies in the media
business, will be required.
Companies must insure
that some consumers
don't have to pay for
entertainment, while
others are getting
it for free, and/or
illegally. Until now,
a lot of the efforts
have not paid off.
Yet I'm hopeful that,
as the piracy gets
to be much more widespread,
governments will see
the need to intervene.
The industry has a
responsibility to ensure
that the technology
will make it sufficiently
difficult for people
to steal music or steal
movies.
What are some of the
challenges going forward
in the media industry
that will impact its
growth and profitability?
There
are some big challenges
for media
companies going forward.
First and foremost
is that the industry
is really learning
to drive on a digital
and reshaped consumer
highway. The 21st century
is the place where
technology creates
new outlets, new exploitations,
new experiences, but
at the same time places
the onus on them to
make sure that their
content and their companies
are prepared to take
advantage of that technology.
The second challenge
is really continuing
to create great content.
Great music, great
magazines, great radio
stations, great television
stations, news and
newspapers. That means
attracting the talent
who are able to do
that. The talent who
create stories, and
produce and direct
and act, is still in
very limited supply.
These media and entertainment
companies need to create
very talent-friendly
environments that are
also friendly to managerial
talents that will want
to work with them.
A third challenge for
entertainment and media
companies is to really
figure out ways in
which they will continue
to grow by creating
new businesses and
also incorporating
other businesses that
they buy. That means
growing not just within
the biggest industrialized
countries like the
United States, Germany
and the United Kingdom,
but also around the
world media are becoming
very big parts of the
societies. Finally,
of course, is protecting
their birthright, their
gems of this truly
big threat of piracy.
The mantra of the late
1990s was "content
is king." That's
one fact that has not
changed.
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